153 bars of 4/4 at 125 BPM, about 4:52 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, ride through bars 6-33, snare through bars 34-38, silence through bars 39-45, hi-hat through bars 46-64 and ride through bars 65-90, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 6-23, 66-79 and 126-140 -- 35.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
RD |--x---x-x-x---x-|
HH |x---------------|
SD |----x-------x---|
FT |---x---x---x-x-x|
BD |x-------x-------|6 fills to learn, played 11 times: bars 32, 33, 37, 65, 88, 89 and 5 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
153 bars, about 4:52 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 32, 33, 37, 65, 88, 89 and 5 more.