90 bars of 4/4 at a walking 85 BPM, 4:14 of playing, on ride, hi-hat, snare, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-65, silence through bars 66-73 and hi-hat through bars 74-90.
The beat the song is built on is one bar, played through bars 1-42, 44-65 and 74-90 -- 100% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
RD |--x-------------|
HH |x-x-x-x-x-x-x-x-|
SD |----x----x--x---|
FT |x---------------|
BD |x--x---xx--x----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
90 bars, about 4:14 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 22 minutes each.
ride, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.