218 bars at 176 BPM -- fast, and 4:56 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 3-18, kick and crashes through bars 19-25, toms through bars 26-29, hi-hat through bars 30-67, toms through bars 68-69 and ride through bars 70-72, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 30-32, 42-44 and 46-48, and 17 more places -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x----x--x--x-x--|24 fills to learn, played 68 times: bars 25, 26, 27, 28, 29, 33 and 62 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
176 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
218 bars, about 4:56 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 68 times: bars 25, 26, 27, 28, 29, 33 and 62 more.