244 bars of 4/4 at 114 BPM, about 8:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, hi-hat through bars 18-25, snare through bars 26-35, hi-hat through bars 36-49, ride through bars 50-57 and snare through bars 58-65, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 43, 45 and 47, and 16 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
58
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |x-x-x-x-x-x-x-x-|9 fills to learn, played 16 times: bars 41, 49, 53, 57, 65, 69 and 10 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
244 bars, about 8:22 at the written tempo. The course breaks it into 45 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 41, 49, 53, 57, 65, 69 and 10 more.