62 bars, 3:16, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom and kick and nothing else.
44 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it.
silence through bars 1-6, kick and crashes through bars 7-23, silence through bars 24-26, snare through bars 27-30, ride through bars 31-48 and hi-hat through bars 49-57, and 1 more change after that.
The beat the song is built on is one bar, played through bars 32-34, 36-37 and 40-42, and 1 more place -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |----x-------x---|
BD |xxxxxxxxxxxxxxxx|1 fill to learn, played 2 times: bars 38 and 46.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
44 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it. The beat itself is 43 out of 100; the rest of the number is everything around it.
62 bars, about 3:16 at the written tempo. The course breaks it into 14 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 38 and 46.