116 bars of 4/4 at 128 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bar 1, toms through bars 2-9, hi-hat through bars 10-15, toms through bars 16-17, ride through bars 18-20 and toms through bars 21-24, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 31-40, 42 and 44-50, and 6 more places -- 36.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
34
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x--x--------x--x--------|7 fills to learn, played 13 times: bars 3, 13, 15, 16, 17, 21 and 7 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
116 bars, about 3:38 at the written tempo. The course breaks it into 48 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 3, 13, 15, 16, 17, 21 and 7 more.