91 bars of 4/4 at a walking 92 BPM, 3:56 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 1-8, hi-hat through bars 9-24, ride through bars 25-43, silence through bars 44-47, ride through bars 48-55 and hi-hat through bars 56-63, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 1-7, 25-27 and 30, and 7 more places -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x-x-------|6 fills to learn, played 7 times: bars 8, 16, 31, 33, 37, 39 and 1 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
91 bars, about 3:56 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 8, 16, 31, 33, 37, 39 and 1 more.