223 bars of 4/4 at a walking 95 BPM, 9:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
silence through bars 1-8, snare through bars 9-24, toms through bars 25-42, hi-hat through bars 43-56, snare through bars 57-74 and hi-hat through bars 75-81, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 43-65, 84-99 and 135-153, and 1 more place -- 41.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
57
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |x-------x-------x-------x-------|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|21 fills to learn, played 39 times: bars 25, 28, 32, 36, 40, 41 and 33 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 52 out of 100; the rest of the number is everything around it.
223 bars, about 9:23 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 39 times: bars 25, 28, 32, 36, 40, 41 and 33 more.