228 bars at 220 BPM -- fast, and 4:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-46, snare through bars 47-48, ride through bars 49-80, hi-hat through bars 81-97, silence through bars 98-112 and snare through bars 113-124, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 1-7, 9-15 and 29-31, and 9 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1.......2.......3.......4.......
CC |x---------------x---------------|
HH |--------o---------------o-------|
SD |----------------x---------------|
BD |x--x-x--x--x-x--x--x-x--x--x-x--|17 fills to learn, played 26 times: bars 8, 16, 24, 32, 40, 64 and 20 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
220 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
228 bars, about 4:09 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 26 times: bars 8, 16, 24, 32, 40, 64 and 20 more.