174 bars of 4/4 at 150 BPM, about 4:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-16, hi-hat through bars 17-56, toms through bars 57-71, snare through bars 72-73, hi-hat through bars 74-105 and kick and crashes through bars 106-121, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 17-31, 33-39 and 41-47, and 8 more places -- 60.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
18
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x-------x-x-----|5 fills to learn, played 14 times: bars 32, 40, 48, 56, 57, 73 and 8 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 66 out of 100; the rest of the number is everything around it.
174 bars, about 4:38 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 32, 40, 48, 56, 57, 73 and 8 more.