160 bars of 4/4 at 128 BPM, about 5:00 of playing, on hi-hat, snare and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, kick and crashes through bars 17-24, silence through bars 25-32, kick and crashes through bars 33-40, hi-hat through bars 41-92 and kick and crashes through bars 93-100, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 41-63, 65-76 and 81-92, and 2 more places -- 69.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
46
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x---x---x--x--x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
160 bars, about 5:00 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 31 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.