244 bars at 198 BPM -- fast, and 4:56 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-15, snare through bars 16-33, silence through bars 34-36, hi-hat through bars 37-42, toms through bars 43-48 and hi-hat through bars 49-50, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 107-113, 115-120 and 196-202, and 1 more place -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
107
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |x-------x-------|
BD |--x---x---x---x-|21 fills to learn, played 45 times: bars 20, 22, 24, 30, 40, 43 and 39 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
244 bars, about 4:56 at the written tempo. The course breaks it into 60 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 45 times: bars 20, 22, 24, 30, 40, 43 and 39 more.