76 bars of 4/4 at a walking 94 BPM, 3:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on how much of it falls off the beat.
ride through bars 2-13, hi-hat through bars 14-54, snare through bars 55-63, silence through bars 64-67 and hi-hat through bars 68-76.
The beat the song is built on is one bar, played through bars 48-62 and 68-75 -- 32.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
48
1...........2...........3...........4...........
HH |-o-----o-----o-----o-----o-----o-----o-----o----|
SD |-------------x-----x--x-----x--x-----x--------x-|
BD |-x-----------------x-----x----------------------|3 fills to learn, played 3 times: bars 21, 46 and 76.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 67 out of 100; the rest of the number is everything around it.
76 bars, about 3:14 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 21, 46 and 76.