112 bars of 4/4 at a walking 107 BPM, 4:11 of playing, on crash, snare, kick and hi-hat foot.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-14, snare through bars 15-108 and kick and crashes through bars 109-112.
The beat the song is built on is one bar, played through bars 39-46, 64-71 and 74, and 10 more places -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
41
1e+a2e+a3e+a4e+a
CC |x---------------|
SD |----x-------x---|
BD |x-------x-------|
HF |--x-x-x-x-x-x-x-|1 fill to learn, played 1 time: bar 73.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
112 bars, about 4:11 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
crash, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 73.