91 bars of 4/4 at 124 BPM, about 2:56 of playing, on crash, hi-hat, snare and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-41, snare through bars 42-44, hi-hat through bars 45-60, silence through bars 61-75 and hi-hat through bars 76-91.
The beat the song is built on is one bar, played through bars 7, 10-12 and 14-16, and 14 more places -- 60% of every bar the kit plays. Learn that one and the song is very nearly finished.
24
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x---x-|3 fills to learn, played 11 times: bars 8, 17, 21, 29, 35, 38 and 5 more.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
91 bars, about 2:56 at the written tempo. The course breaks it into 13 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 11 times: bars 8, 17, 21, 29, 35, 38 and 5 more.