242 bars at 170 BPM -- fast, and 5:42 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-17, toms through bars 18-19, hi-hat through bars 20-21, toms through bars 22-23 and hi-hat through bars 24-128, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 2-17, 20-21 and 24, and 6 more places -- 37.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-------x-x-----|14 fills to learn, played 18 times: bars 1, 25, 49, 80, 81, 97 and 12 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
242 bars, about 5:42 at the written tempo. The course breaks it into 54 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 18 times: bars 1, 25, 49, 80, 81, 97 and 12 more.