140 bars of 4/4 at 132 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 2-17, hi-hat through bars 18-49, ride through bars 50-56, hi-hat through bars 57-80, ride through bars 81-87 and hi-hat through bars 88-107, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 18-24, 26-32 and 34-40, and 5 more places -- 40.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-xxx-x-xxx-xxx-|7 fills to learn, played 12 times: bars 25, 33, 41, 49, 64, 72 and 6 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
140 bars, about 4:14 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 25, 33, 41, 49, 64, 72 and 6 more.