107 bars of 4/4 at 147 BPM, about 2:54 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it.
silence through bars 1-4, snare through bars 5-12, hi-hat through bars 13-25, snare through bars 26-32, hi-hat through bars 33-49 and snare through bars 50-56, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 25-32, 66-73 and 91-106 -- 31.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
91
1e+a2e+a3e+a4e+a
HH |o---------------|
SD |x---------------|
BD |xxxxxxxxxxxxxxxx|2 fills to learn, played 2 times: bars 16 and 65.
It cuts the song into 35 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
107 bars, about 2:54 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 16 and 65.