119 bars of 4/4 at a walking 96 BPM, 4:56 of playing, on hi-hat, snare, kick and hi-hat foot.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3 and hi-hat through bars 4-119.
The beat the song is built on is a 2-bar phrase, played through bars 4, 6 and 8, and 13 more places -- 81% of every bar the kit plays. Learn that one and the song is very nearly finished.
24 25
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-----x-x---x-x-|x-----x-x----xx-|
SD |----x-------x---|----x-x-----x---|
BD |----------------|x-------x-------|
HF |--xxxx---xxx----|--xxxx----xxx---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
119 bars, about 4:56 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 30 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.