223 bars of 4/4 at 148 BPM, about 5:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-14, snare through bars 15-21, hi-hat through bars 22-41, toms through bars 42-43, hi-hat through bars 44-63 and toms through bars 64-65, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 47, 56 and 69, and 17 more places -- 9.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
71
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--x-x-x-x-x-x-x-|
SD |x---x---x---x---|
BD |--x---x---x---x-|16 fills to learn, played 62 times: bars 10, 14, 23, 24, 28, 32 and 56 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
223 bars, about 5:57 at the written tempo. The course breaks it into 72 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 62 times: bars 10, 14, 23, 24, 28, 32 and 56 more.