88 bars of 4/4 at a walking 97 BPM, 3:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, hi-hat through bars 4-16, snare through bars 17-24, hi-hat through bars 25-44, snare through bars 45-52 and hi-hat through bars 53-72, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 5-15, 20 and 29-35, and 7 more places -- 61.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-----x-----|
BD |x-x---x-x-------|3 fills to learn, played 3 times: bars 16, 44 and 72.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
88 bars, about 3:38 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 16, 44 and 72.