104 bars of 4/4 at 137 BPM, about 3:02 of playing, on crash, hi-hat, snare and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-28, silence through bars 29-30, hi-hat through bars 31-58, silence through bars 59-60 and hi-hat through bars 61-68, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 9-28, 31-41 and 43-58, and 2 more places -- 89.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x---x---x---x-|
BD |x----x--x----x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
104 bars, about 3:02 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 21 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.