146 bars of 4/4 at a walking 84 BPM, 6:44 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-37, kick and crashes through bars 38-44, snare through bars 45-46, hi-hat through bars 47-89, kick and crashes through bars 90-96 and snare through bars 97-98, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 1-12, 18-21 and 23-27, and 7 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|8 fills to learn, played 17 times: bars 45, 46, 47, 50, 58, 66 and 11 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
146 bars, about 6:44 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 45, 46, 47, 50, 58, 66 and 11 more.