178 bars of 4/4 at 117 BPM, about 6:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-40, ride through bars 41-46, hi-hat through bars 47-64, toms through bars 65-66 and ride through bars 67-76, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 5-8, 25-29 and 31, and 10 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|11 fills to learn, played 22 times: bars 16, 22, 38, 48, 62, 65 and 16 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
178 bars, about 6:05 at the written tempo. The course breaks it into 53 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 16, 22, 38, 48, 62, 65 and 16 more.