137 bars at 176 BPM -- fast, and 3:07 of it without a break -- on crash, hi-hat, snare, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-24, snare through bars 25-38, hi-hat through bars 39-40, silence through bars 41-42 and hi-hat through bars 43-58, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 25-31, 33-38 and 59-65, and 7 more places -- 44% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25 26
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-------|------x---------|
BD |x-----x---------|x-x-------x---x-|3 fills to learn, played 7 times: bars 70, 98, 106, 114, 119, 121 and 1 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
176 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
137 bars, about 3:07 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 70, 98, 106, 114, 119, 121 and 1 more.