252 bars at 170 BPM -- fast, and 5:56 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-15, kick and crashes through bars 16-23, snare through bars 24-33, silence through bars 34-35, hi-hat through bars 36-37 and kick and crashes through bars 38-44, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 45-50, 53-58 and 103-109, and 2 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|22 fills to learn, played 47 times: bars 28, 32, 43, 44, 51, 52 and 41 more.
It cuts the song into 88 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
252 bars, about 5:56 at the written tempo. The course breaks it into 88 exercises over 22 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 47 times: bars 28, 32, 43, 44, 51, 52 and 41 more.