165 bars of 4/4 at 128 BPM, about 5:09 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-102, snare through bars 103-108, ride through bars 109-114, toms through bars 115-118 and silence through bars 119-122, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 19 more places -- 63.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
6
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--x-----x-------|
BD |x---x-----------|1 fill to learn, played 1 time: bar 102.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
165 bars, about 5:09 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 102.