114 bars of 4/4 at a walking 85 BPM, 5:22 of playing, on hi-hat, snare and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-6, snare through bars 7-12, hi-hat through bars 13-30, snare through bars 31-33, hi-hat through bars 34-36 and snare through bars 37-39, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 1-6, 13-30 and 34-36, and 4 more places -- 45.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1.....2.....3.....4.....
HH |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x-----------x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
114 bars, about 5:22 at the written tempo. The course breaks it into 16 exercises over 6 sittings, about 22 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.