117 bars of 4/4 at a walking 102 BPM, 4:35 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-33, snare through bars 34-36 and hi-hat through bars 37-117.
The beat the song is built on is one bar, played through bars 37-51, 53-67 and 69-83, and 2 more places -- 65.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
38
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--------x-------|
BD |x---------------|5 fills to learn, played 7 times: bars 35, 36, 52, 68, 84, 100 and 1 more.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
117 bars, about 4:35 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 35, 36, 52, 68, 84, 100 and 1 more.