143 bars of 4/4 at 135 BPM, about 4:13 of playing, on hi-hat, snare, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 3-6, hi-hat through bars 7-26, kick and crashes through bars 27-31 and hi-hat through bars 32-143.
The beat the song is built on is one bar, played through bars 12-26, 62-86 and 112-116 -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12
1e+a2e+a3e+a4e+a
HH |x---x---x---x-o-|
SD |--------r-------|
BD |x-------------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
143 bars, about 4:13 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 26 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.