161 bars at 175 BPM -- fast, and 3:41 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 3-14, silence through bars 15-21, hi-hat through bars 22-37, silence through bars 38-44, hi-hat through bars 45-62 and snare through bars 63-72, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 22-27, 29-31 and 33-35, and 7 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
74
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |----------------x---------------|
BD |x-------------------------------|7 fills to learn, played 14 times: bars 10, 87, 88, 89, 90, 91 and 8 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
161 bars, about 3:41 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 10, 87, 88, 89, 90, 91 and 8 more.