119 bars of 4/4 at 125 BPM, about 3:48 of playing, on hi-hat, snare and kick.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
hi-hat through bars 1-48, kick and crashes through bars 49-50, hi-hat through bars 51-82, kick and crashes through bars 83-102 and hi-hat through bars 103-119.
The beat the song is built on is one bar, played through bars 1-31, 49-65 and 67, and 10 more places -- 66.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |----x-----------|
BD |x-----x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 7 out of 100; the rest of the number is everything around it.
119 bars, about 3:48 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 26 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.