89 bars of 4/4 at a walking 77 BPM, 4:37 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, snare through bars 9-15, hi-hat through bars 16-32, snare through bars 33-48, hi-hat through bars 49-63 and ride through bars 64-70, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 33-35, and 7 more places -- 38.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1.......2.......3.......4.......
CC |x---x---x---x---x---x---x---x---|
SD |--------x---x-----g-----x-----gg|
BD |x---x-x-------x-----x-x---------|1 fill to learn, played 2 times: bars 71 and 72.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
89 bars, about 4:37 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 71 and 72.