264 bars of 4/4 at 120 BPM, about 8:48 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-9, snare through bars 10-14, hi-hat through bars 15-24, snare through bars 25-29 and hi-hat through bars 30-34, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 10-14, 25-29 and 35-44, and 6 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-------x-------|
HF |--x---x---x---x-|4 fills to learn, played 14 times: bars 52, 53, 84, 85, 241, 243 and 8 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 10 out of 100; the rest of the number is everything around it.
264 bars, about 8:48 at the written tempo. The course breaks it into 72 exercises over 19 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 14 times: bars 52, 53, 84, 85, 241, 243 and 8 more.