117 bars of 4/4 at 126 BPM, about 3:43 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, snare through bars 13-18, silence through bars 19-20, kick and crashes through bars 21-28, hi-hat through bars 29-59 and silence through bars 60-61, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 29-44, 46-59 and 70-85, and 1 more place -- 65.3% of every bar the kit plays. Learn that one and the song is very nearly finished.
30
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
117 bars, about 3:43 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.