99 bars of 4/4 at 130 BPM, about 3:03 of playing, on hi-hat, snare, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-53, snare through bars 54-60, hi-hat through bars 61-89, snare through bars 90-97 and hi-hat through bars 98-99.
The beat the song is built on is one bar, played through bars 2-4, 6-21 and 38, and 2 more places -- 36.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
99 bars, about 3:03 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.