138 bars of 4/4 at a walking 83 BPM, 6:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
ride through bars 2-27, hi-hat through bars 28-44, silence through bars 45-52, hi-hat through bars 53-97, kick and crashes through bars 98-99 and hi-hat through bars 100-123, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 53-59, 62-66 and 69, and 10 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
53
1e+a2e+a3e+a4e+a
HH |x-o-x-x-x-o-x-x-|
SD |----x-------x---|
BD |x-----x-x-------|9 fills to learn, played 16 times: bars 60, 67, 68, 76, 84, 91 and 10 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
138 bars, about 6:38 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 60, 67, 68, 76, 84, 91 and 10 more.