78 bars of 4/4 at a walking 100 BPM, 3:07 of playing, on hi-hat, snare, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-16, hi-hat through bars 17-54, snare through bars 55-70 and hi-hat through bars 71-78.
The beat the song is built on is one bar, played through bars 17-54 and 71-78 -- 59% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a
HH |x--xx-x-x--xx-x-|
SD |---x-------x--x-|
BD |x---x-x-x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
78 bars, about 3:07 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 22 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.