126 bars of 4/4 at 127 BPM, about 3:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-61, snare through bars 62-77, hi-hat through bars 78-86, silence through bars 87-101 and snare through bars 102-117, and 1 more change after that.
The beat the song is built on is one bar, played through bars 5-12, 23-24 and 29-33, and 11 more places -- 58.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |------------x-----------|
BD |x--x--------------------|8 fills to learn, played 12 times: bars 46, 61, 65, 68, 69, 77 and 6 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
126 bars, about 3:58 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 46, 61, 65, 68, 69, 77 and 6 more.