417 bars of 6/4 -- not four -- at 200 BPM, 10:35 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-17, hi-hat through bars 18-32, toms through bars 33-34, snare through bars 35-49, hi-hat through bars 50-65 and kick and crashes through bars 66-69, and 30 more changes after that.
The beat the song is built on is one bar, played through bars 50-56, 58-64 and 82-91, and 3 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
50
1.....2.....3.....4.....5.....6.....
CC |x-----------------------------------|
HH |------o--o--o--o--o--o--o--o--o--o--|
SD |---x-----x-----x-----x-----x-----x--|
BD |x-----x-----x-----x-----x-----x-----|22 fills to learn, played 46 times: bars 21, 25, 29, 33, 34, 49 and 40 more.
It cuts the song into 76 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
417 bars, about 10:35 at the written tempo. The course breaks it into 76 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 46 times: bars 21, 25, 29, 33, 34, 49 and 40 more.