100 bars of 4/4 at 122 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-22, ride through bars 23-26, hi-hat through bars 27-33, toms through bars 34-42 and hi-hat through bars 43-52, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13, and 10 more places -- 38.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1...........2...........3...........4...........
HH |x-----------x-----------x-----------x-----------|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----------------x-----|12 fills to learn, played 26 times: bars 12, 14, 22, 34, 36, 37 and 20 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
100 bars, about 3:17 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 12, 14, 22, 34, 36, 37 and 20 more.