102 bars of 4/4 at a walking 104 BPM, 3:55 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is one bar, played through bars 1-29, 31-45 and 47, and 17 more places -- 72.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
3
1e+a2e+a3e+a4e+a
HH |xgxgxgxgxgxgxgxg|
SD |----x-------x---|
BD |x-x---x---x---x-|2 fills to learn, played 6 times: bars 30, 46, 62, 70, 78 and 86.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
102 bars, about 3:55 at the written tempo. The course breaks it into 12 exercises over 6 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 30, 46, 62, 70, 78 and 86.