104 bars of 4/4 at 125 BPM, about 3:20 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-76, silence through bars 77-84 and toms through bars 85-104.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 21 more places -- 68.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1.....2.....3.....4.....
SD |------r-----x-----------|
FT |x-----------------x-x-x-|
BD |x-----------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
104 bars, about 3:20 at the written tempo. The course breaks it into 13 exercises over 3 sittings, about 27 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.