107 bars of 4/4 at a walking 105 BPM, 4:05 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
20 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
silence through bars 1-5, hi-hat through bars 6-105 and kick and crashes through bars 106-107.
The beat the song is built on is one bar, played through bars 6-12, 14-20 and 22-28, and 3 more places -- 92.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
20 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 7 out of 100; the rest of the number is everything around it.
107 bars, about 4:05 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.