240 bars of 3/4 -- not four -- at 110 BPM, 6:43 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on how much of it falls off the beat.
hi-hat through bars 1-16, ride through bars 17-24, hi-hat through bars 25-40, ride through bars 41-61, hi-hat through bars 62-109 and ride through bars 110-118, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3-5 and 7, and 27 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1
1e+a2e+a3e+a
CC |x-----------|
HH |----ooooo-oo|
SD |---x-----x--|
BD |x-----x-----|26 fills to learn, played 108 times: bars 2, 6, 8, 10, 12, 14 and 102 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 46 out of 100; the rest of the number is everything around it.
240 bars, about 6:43 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 108 times: bars 2, 6, 8, 10, 12, 14 and 102 more.