287 bars at 240 BPM -- fast, and 4:46 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
kick and crashes through bars 1-2, hi-hat through bars 3-30, ride through bars 31-32, toms through bars 33-64, hi-hat through bars 65-76 and ride through bars 77-82, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 33 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
226
1e+a2e+a3e+a4e+a
CC |x---------------|
BD |x-x---x-x---x-x-|17 fills to learn, played 47 times: bars 6, 9, 10, 14, 17, 18 and 41 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 4 out of 100; the rest of the number is everything around it.
287 bars, about 4:46 at the written tempo. The course breaks it into 70 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 47 times: bars 6, 9, 10, 14, 17, 18 and 41 more.