156 bars of 4/4 at 140 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
91 out of 100. Hard, and what makes it hard is how many notes a second it asks for.
ride through bars 1-18, hi-hat through bars 19-67, silence through bars 68-72, kick and crashes through bars 73-74, hi-hat through bars 75-98 and ride through bars 99-122, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 75-81, 83-93 and 95-97, and 3 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
76
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|9 fills to learn, played 13 times: bars 18, 34, 50, 73, 74, 82 and 7 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
91 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 80 out of 100; the rest of the number is everything around it.
156 bars, about 4:12 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 18, 34, 50, 73, 74, 82 and 7 more.