238 bars of 4/4 at 150 BPM, about 6:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-18, ride through bars 19-36, hi-hat through bars 37-52, snare through bars 53-60, hi-hat through bars 61-64 and snare through bars 65-68, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 27-30, 113-119 and 129-135, and 3 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|8 fills to learn, played 11 times: bars 26, 44, 52, 66, 74, 80 and 5 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
238 bars, about 6:21 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 26, 44, 52, 66, 74, 80 and 5 more.