83 bars of 4/4 at 124 BPM, about 2:40 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-2, hi-hat through bars 3-6, snare through bars 7-18, hi-hat through bars 19-28, snare through bars 29-40 and hi-hat through bars 41-45, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 19-23, 41-45 and 48, and 1 more place -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-x-----|4 fills to learn, played 9 times: bars 1, 2, 18, 24, 40, 63 and 3 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 32 out of 100; the rest of the number is everything around it.
83 bars, about 2:40 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 1, 2, 18, 24, 40, 63 and 3 more.