192 bars of 3/4 -- not four -- at 130 BPM, 4:26 of playing on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, hi-hat through bars 8-40, snare through bars 41-72, hi-hat through bars 73-88, snare through bars 89-104 and ride through bars 105-118, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 22, 24-37 and 39-40, and 17 more places -- 45.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
39
1e+a2e+a3e+a
CC |x---x---x---|
SD |x-----------|
BD |x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
192 bars, about 4:26 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.